The Spoonbill Generator presents
Wait |
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(Lennon/McCartney) | |||||||
Thursday 17 June 1965, 7.00-10.00pm. | |||||||
Studio Two | |||||||
Producer: George Martin. Engineers: Norman Smith, Phil McDonald. | |||||||
Task | Take | Channels | Reel | Release | |||
Recording | TK-1 | backing track only | 4T | E56455 | |||
Recording | TK-2 | backing track only | 4T | E56455 | |||
Recording | TK-3 | backing track only | 4T | E56455 | |||
Recording | TK-4 ✔ | backing track only | 4T | E56455 | |||
Recording | TK-4 | SI vocals | 4T | E56455 | |||
Friday 18 June 1965, 10.00am-12.30pm. | |||||||
Studio Two (control room) | |||||||
Producer: George Martin. Engineers: Norman Smith, Phil McDonald. | |||||||
Task | Take | Channels | Reel | Release | |||
Mono mixing | RM1 | < TK-4 | Δ | E56532 | |||
Thursday 11 November 1965, 6.00pm-7.00am. | |||||||
Studio Two | |||||||
Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
Task | Take | Channels | Reel | Release | |||
Recording | TK-4 | SI vocals, maracas | 4T | E56455 | |||
Recording | TK-4 | SI guitar, tambourine | 4T | E56455 | |||
Recording | TK-4 | SI guitar | 4T | E56455 | |||
Monday 15 November 1965, 2.30-5.30pm. | |||||||
Studio One (control room) | |||||||
Producer: George Martin. Engineers: Norman Smith, Richard Lush. | |||||||
Task | Take | Channels | Reel | Release | |||
Mono mixing | RM2 | < TK-4 | Δ | E58218* | Rubber Soul | ||
Stereo mixing | RS1 | < TK-4 | Z | E58219* | Rubber Soul | ||
Musicians | |||||||
Key | |||||||
Takes | |||||||
---|---|---|---|---|---|---|---|
TK | Take (TK-00: unnumbered take(s)) | ||||||
RM | Mono Remix | ||||||
RS | Stereo Remix | ||||||
SI | Superimposition (i.e. overdub) | ||||||
fs | False start | ||||||
bd | Breakdown | ||||||
✔ | Best take | ||||||
Channels | |||||||
Δ | Delta Mono | ||||||
2T | Twin-track | ||||||
Z | Stereo | ||||||
3T | Three-track | ||||||
4T | Four-track | ||||||
8T | Eight-track | ||||||
Reels | |||||||
* | indicates a reel now lost | ||||||
Release | |||||||
Only the first official release of any take is listed | |||||||
[ ] | Take available only on bootleg, with an example cited | ||||||