The Spoonbill Generator presents
Paperback Writer |
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(Lennon/McCartney) | |||||||
Wednesday 13 April 1966, 8.00pm-2.30am. | |||||||
Studio Three | |||||||
Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
Task | Take | Channels | Reel | Release | |||
Recording | TK-1 | backing track only | 4T | E59736 | [Unsurpassed Masters Vol. 3] | ||
Recording | TK-2 ✔ | backing track only | 4T | E59736 | |||
Thursday 14 April 1966, 2.30-7.30pm. | |||||||
Studio Three | |||||||
Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
Task | Take | Channels | Reel | Release | |||
Recording | TK-2 | SI bass | 4T | E59736 | |||
Recording | TK-2 | SI Challen piano (not used) | 4T | E59736 | |||
Recording | TK-2 | SI vocal, backing vocals | 4T | E59736 | [Turn Me On Dead Man] | ||
Thursday 14 April 1966, 7.30-8.00pm. | |||||||
Studio Three (control room) | |||||||
Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
Task | Take | Channels | Reel | Release | |||
Mono mixing | RM1 | < TK-2 | Δ | E59737 | |||
Mono mixing | RM2 | < TK-2 | Δ | E59737 | "Paperback Writer" single | ||
Monday 31 October 1966, 2.30-4.30pm. | |||||||
Studio One (control room) | |||||||
Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
Task | Take | Channels | Reel | Release | |||
Stereo mixing | RS1 | Z | E62082 | | |||
Stereo mixing | RS2 | Z | E62082 | | |||
Stereo mixing | RS3 ✔ | Z | E62082 | Oldies | | ||
Musicians | |||||||
Key | |||||||
Takes | |||||||
---|---|---|---|---|---|---|---|
TK | Take (TK-00: unnumbered take(s)) | ||||||
RM | Mono Remix | ||||||
RS | Stereo Remix | ||||||
SI | Superimposition (i.e. overdub) | ||||||
fs | False start | ||||||
bd | Breakdown | ||||||
✔ | Best take | ||||||
Channels | |||||||
Δ | Delta Mono | ||||||
2T | Twin-track | ||||||
Z | Stereo | ||||||
3T | Three-track | ||||||
4T | Four-track | ||||||
8T | Eight-track | ||||||
Reels | |||||||
* | indicates a reel now lost | ||||||
Release | |||||||
Only the first official release of any take is listed | |||||||
[ ] | Take available only on bootleg, with an example cited | ||||||