The Spoonbill Generator presents
Eight Days A Week |
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| (Lennon/McCartney) | |||||||
| Tuesday 6 October 1964, 3.00-6.45pm. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-1 | 4T | E54078 | [Sessionography 2] | |||
| Recording | TK-2 | 4T | E54078 | Anthology 1 (part) | |||
| Recording | TK-3 | 4T | E54078 | ||||
| Recording | TK-4 | 4T | E54078 | Anthology 1 | |||
| Recording | TK-5 | 4T | E54078 | Anthology 1 | |||
| Recording | TK-6 | 4T | E54078 | ||||
| Tuesday 6 October 1964, 7.00-10.00pm. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Norman Smith, Ken Scott/Mike Stone. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-7 | 4T | E54079 | ||||
| Recording | TK-8 | 4T | E54079 | ||||
| Recording | TK-9 | 4T | E54079 | ||||
| Recording | TK-10 fs | 4T | E54079 | ||||
| Recording | TK-11 fs | 4T | E54079 | ||||
| Recording | TK-12 | 4T | E54079 | ||||
| Recording | TK-13 ✔ | 4T | E54079 | ||||
| Recording | TK-13 | SI vocals, backing vocals, handclaps | 4T | E54079 | |||
| Monday 12 October 1964, 2.30-3.00pm. | |||||||
| Studio Two (control room) | |||||||
| Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Mono mixing | RM1 | < TK-13 | Δ | E54055* | |||
| Sunday 18 October 1964, 2.30-11.30pm. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Norman Smith, Geoff Emerick. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-14 | edit piece for intro | 4T | E54079 | |||
| Recording | TK-15 ✔ | edit piece for outro | 4T | E54079 | |||
| Tuesday 27 October 1964, 10.00am-12.30pm. | |||||||
| Studio Two (control room) | |||||||
| Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | RM2 | < TK-13 | Δ | ?? | |||
| Recording | RM3 | < TK-15 | Δ | 53771* | |||
| Editing | RM2 + RM3 | Δ | E54256* | Beatles For Sale | |||
| Tuesday 27 October 1964, 12.30-1.00pm. | |||||||
| Studio Two (control room) | |||||||
| Producer: George Martin. Engineers: Norman Smith, Ken Scott. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Stereo mixing | RS1 | < TK-13 | Z | ?? | |||
| Stereo mixing | RS2 | < TK-15 | Z | ?? | |||
| Editing | RS1 + RS2 | Z | E54258 | Beatles For Sale | |||
Musicians | |||||||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||