The Spoonbill Generator presents
Being For The Benefit Of Mr Kite! |
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| (Lennon/McCartney) | |||||||
| Friday 17 February 1967, 7.00pm-3.00am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-1 fs | backing track + guide vocal | 4T | E63359 | [Sessionography 4] | ||
| Recording | TK-2 fs | backing track + guide vocal | 4T | E63359 | [Sessionography 4] | ||
| Recording | TK-3 | backing track + guide vocal | 4T | E63359 | |||
| Recording | TK-4 | backing track + guide vocal | 4T | E63359 | 50th Anniversary Edition | ||
| Recording | TK-5 | backing track + guide vocal | 4T | E63359 | |||
| Recording | TK-6 | backing track + guide vocal | 4T | E63359 | |||
| Recording | TK-7 ✔ | backing track + guide vocal | 4T | E63359 | 50th Anniversary Edition | ||
| Reduction mix | TK-8 | < TK-7 | 4T | E63360 | |||
| Reduction mix | TK-9 ✔ | < TK-7 | 4T | E63360 | |||
| Recording | TK-9 | SI vocal, backing vocals | 4T | E63360 | Anthology 2 | ||
| Mono mixing | RM1 | < TK-9 | Δ | E63334 | |||
| Monday 20 February 1967, 7.00pm-3.45am. | |||||||
| Studio Three | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-00 | sound effects: 19 tape snippets | 4T | ?? | |||
| Tuesday 28 March 1967, 7.00pm-4.45am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-9 | SI harmonicas | 4T | E63360 | |||
| Recording | TK-9 | SI guitar | 4T | E63360 | |||
| Recording | TK-9 | SI Hammond organ, organ | 4T | E63360 | |||
| Wednesday 29 March 1967, 7.00pm-5.45am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-9 | SI organ | 4T | E63360 | |||
| Recording | TK-9 | SI sound effects | 4T | E63360 | |||
| Friday 31 March 1967, 7.00pm-3.00am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-9 | SI organ, glockenspiel | 4T | E63360 | |||
| Mono mixing | RM1 | < TK-9 | Δ | E63762 | |||
| Mono mixing | RM2 | < TK-9 | Δ | E63762 | |||
| Mono mixing | RM3 | < TK-9 | Δ | E63762 | |||
| Mono mixing | RM4 ✔ | < TK-9 | Δ | E63762 | Sergeant Pepper's Lonely Hearts Club Band | ||
| Mono mixing | RM5 | < TK-9 | Δ | E63762 | |||
| Mono mixing | RM6 | < TK-9 | Δ | E63762 | |||
| Mono mixing | RM7 | < TK-9 | Δ | E63762 | |||
| Friday 7 April 1967, 7.00pm-1.00am. | |||||||
| Studio Two (control room) | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Richard Lush. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Stereo mixing | RS1 | < TK-9 | Z | E63911 | |||
| Stereo mixing | RS2 | < TK-9 | Z | E63911 | |||
| Stereo mixing | RS3 | < TK-9 | Z | E63911 | |||
| Stereo mixing | RS4 | < TK-9 | Z | E63911 | |||
| Stereo mixing | RS5 | < TK-9 | Z | E63911 | |||
| Stereo mixing | RS6 | < TK-9 | Z | E63911 | |||
| Stereo mixing | RS7 | < TK-9 | Z | E63911 | |||
| Stereo mixing | RS8 ✔ | < TK-9 | Z | E63911 | Sergeant Pepper's Lonely Hearts Club Band | ||
Musicians | |||||||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||