The Spoonbill Generator presents
And Your Bird Can Sing |
|||||||
| (Lennon/McCartney) | |||||||
| Wednesday 20 April 1966, 2.30pm-2.30am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-1 | backing track only | 4T | E59740 | |||
| Recording | TK-2 ✔ | backing track only | 4T | E59740 | |||
| Recording | TK-2 | SI bass, guitar solo, tambourine | 4T | E59740 | |||
| Recording | TK-2 | SI vocals | 4T | E59740 | Anthology 2 | ||
| Mono mixing | RM1 | < TK-2 | Δ | E59739 | |||
| Mono mixing | RM2 | < TK-2 | Δ | E59739 | |||
| Mono mixing | RM3 | < TK-2 | Δ | E59739 | |||
| Mono mixing | RM4 | < TK-2 | Δ | E59739 | |||
| Mono mixing | RM5 | < TK-2 | Δ | E59739 | |||
| Tuesday 26 April 1966, 2.30pm-2.45am. | |||||||
| Studio Two | |||||||
| Producer: George Martin. Engineers: Geoff limerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Recording | TK-3 | REMAKE: backing track only | 4T | E59745 | |||
| Recording | TK-4 | backing track only | 4T | E59745 | |||
| Recording | TK-5 | backing track only | 4T | E59745 | |||
| Recording | TK-6 ✔ | backing track only | 4T | E59745 | |||
| Recording | TK-7 | backing track only | 4T | E59745 | |||
| Recording | TK-8 | backing track only | 4T | E59745 | |||
| Recording | TK-9 | backing track only | 4T | E59745 | |||
| Recording | TK-10 ✔ | backing track only | 4T | E59745 | |||
| Recording | TK-11 | backing track only | 4T | E59745 | |||
| Recording | TK-12 | backing track only | 4T | E59745 | |||
| Recording | TK-13 | backing track only | 4T | E59745 | |||
| Recording | TK-6 | SI tambourine, cymbals | 4T | E59745 | |||
| Reduction mix | TK-10 | 4T | E59745 | ||||
| Recording | TK-10 | SI lead guitars | 4T | E59745 | |||
| Recording | TK-10 | SI lead vocal, backing vocals, handclaps | 4T | E59745 | |||
| Wednesday 27 April 1966, 6.00pm-11.30pm. | |||||||
| Studio Three (control room) | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Mono mixing | RM6 | < TK-10 | Δ | E59747 | |||
| Thursday 12 May 1966, 1.45-3.30pm. | |||||||
| Studio Three (control room) | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Jerry Boys. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Mono mixing | RM7 | < TK-10 | Δ | E60016 | |||
| Mono mixing | RM8 | < TK-6 | Δ | E60016 | |||
| Editing | RM7 + RM8 | Δ | E60016 | US Yesterday… and Today | |||
| Friday 20 May 1966, 11.00am-12.30pm. | |||||||
| Studio One (control room) | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Stereo mixing | RS1 | < TK-10 | Z | E60042 | |||
| Stereo mixing | RS2 | < TK-6 | Z | E60042 | |||
| Stereo mixing | RS1 + RS2 | Z | E60043 | Revolver | |||
| Monday 6 June 1966, 7.00-12.00pm. | |||||||
| Studio Three (control room) | |||||||
| Producer: George Martin. Engineers: Geoff Emerick, Phil McDonald. | |||||||
| Task | Take | Channels | Reel | Release | |||
| Mono mixing | RM9 | < TK-10 | Δ | E60138 | |||
| Mono mixing | RM10 | < TK-6 | Δ | E60138 | |||
| Wednesday 8 June 1966, 1.00-2.00pm. | |||||||
| Studio Two (control room) | |||||||
| Producer: n/a. Engineers: Geoff Emerick, . | |||||||
| Task | Take | Channels | Reel | Release | |||
| Editing | RM9+RM10 | Δ | E60138 | Revolver | |||
Musicians | |||||||
Key | |||||||
| Takes | |||||||
|---|---|---|---|---|---|---|---|
| TK | Take (TK-00: unnumbered take(s)) | ||||||
| RM | Mono Remix | ||||||
| RS | Stereo Remix | ||||||
| SI | Superimposition (i.e. overdub) | ||||||
| fs | False start | ||||||
| bd | Breakdown | ||||||
| ✔ | Best take | ||||||
| Channels | |||||||
| Δ | Delta Mono | ||||||
| 2T | Twin-track | ||||||
| Z | Stereo | ||||||
| 3T | Three-track | ||||||
| 4T | Four-track | ||||||
| 8T | Eight-track | ||||||
| Reels | |||||||
| * | indicates a reel now lost | ||||||
| Release | |||||||
| Only the first official release of any take is listed | |||||||
| [ ] | Take available only on bootleg, with an example cited | ||||||